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| BIO |
Jennifer desires to write plays which are full of raw, muscular humanity and peopled with juicy, scenery-chewing characters. She endeavors to find the electrifying middle ground between personal story and political metaphor.
Until now, Jennifer has only lived in cold places. She grew up in Rochester, NY, and then moved to Chicago to attend Northwestern University. At Northwestern, she studied acting with David Downs, performance studies with Frank Galati, playwriting with John Logan, and solo performance with Mary Zimmerman. During Zimmermans class, Jennifer developed her one-woman show, Clearing Hedges: Babe Didrikson Zaharias, in which she snaps between seven different characters (including Babe, her lesbian lover, and her 400 pound Greek wrestler husband).
After graduating, Jennifer backpacked solo across Europe for a year, until she found a home at the International Theatre of Vienna. She stayed on for a while as a company member, performing Clearing Hedges during the week, and acting in the now-and-forever-masterpiece The Mousetrap on weekends. In 2002, Jennifer took Clearing Hedges to the Edinburgh Fringe Festival. After rave reviews and a crash course in what it means to be a producer, actor, and playwright all at once, she continued touring the show to Chicago, New York, and San Francisco.
When her backpack grew too heavy, Jennifer settled back in Chicago. For six years, she worked as an actor at Steppenwolf, Court Theatre, Collaboraction, Live Bait, and others. She taught acting at Piven Theatre, Court, and Apple Tree, taught playwriting with Pegasus Players, and taught an absurd amount of pilates and spinning classes across the city. But eventually, Jennifer found it more rewarding to shift her focus to playwriting.
Her first ensemble play, The Human Capacity, was given a staged reading at Steppenwolf in their First Look Festival of New Works. The Human Capacity and her next play, Plunder, were developed through readings and workshops across Chicago at Piven, A Red Orchid, Northlight, Breadline, Stage Left, and American Theatre Company. Freedom, NY was produced in UCSDs Baldwin New Plays Festival 2007, and was just co-produced in March by Teatro Vista and Remy Bumppo at Victory Gardens in Chicago. This year, Jennifer has developed two new plays, Eat It Too and The Attic Dwellers, through UCSD readings and workshops. The Attic Dwellers will be produced in UCSDs Baldwin Festival, April 2008.
Jennifers work has taken her to writing residencies from the hills of Virginia to the backcountry of Scotland. While living and writing in Scotlands Hawthornden Castle, she met the English writer Andrew Newsham who wrote her love poems and took her on walks along the North River Esk. They got married and moved to San Diego where Jennifer is in her second year as an MFA playwright at UC San Diego, studying under Naomi Iizuka. She is enjoying the surreal San Diego life where, on her writing breaks, she can go lie under a palm tree in the sun by the pool.
This summer, Andrew and Jennifer are creating their own private writing retreat in a flat in Paris, where theyll collaborate on a screenplay and a TV pilot.
For a full list of credits, please see Jennifers resume.
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CURRENT
NEWS
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- FREEDOM, NY production in Chicago: In March 2008, Freedom, NY will be co-produced in Chicago by Remy Bumppo and Teatro Vista in the Think Tank festival at Victory Gardens (directed by Joe Minoso). The production runs March 7 30. For complete schedule and ticket information, click here. Or, call: 773.871.3000.
- THE ATTIC DWELLERS production in San Diego: In April 2008, The Attic Dwellers, a black comedy, will be produced at UC San Diegos Baldwin New Plays festival in April 2008 (directed by Adam Arian). The production runs April 17-25. For complete schedule and ticket information, click here.
- THE ATTIC DWELLERS wins Kennedy Center award: The Attic Dwellers recently won second prize for the Kennedy Center's National Science Playwriting Award.
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ATTIC DWELLERS |
As a natural disaster ravages LA, two strangers find refuge in the attic of an abandoned house. But inexplicable noises rumble from below, the radio has a split personality, and the only exit has been sealed shut. A dark and twisted comedy about a toxic past that just won’t stay buried.
Dark comedy. 2 M, 2 W, 1 M/W. 120 minutes. |
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FREEDOM, NY
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In the year following a brutal school shooting, Justice Mayflower keeps her 12-year-old granddaughter, Portia, safe at home in their garden. But then enters their new neighbor: a joyful young Mexican, carrying a coffin. Gabriel encourages Portia to break free from Mayflowers tyranny of fear and celebrate Dia de los Muertos.
Productions: Teatro Vista/ Remy Bumppo, UC San Diego Baldwin New Plays Festival
Readings/ Workshops: The O'Neill Center, Stage Left
Drama. 1M, 1W, 1 girl. 70 minutes.
MORE about Freedom, NY |

EAT IT TOO
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Brett, a thriving Hollywood actress, is finally ready to return to her hometown… And she is dead set on the most horrific kind of her revenge. Eat It Too is a dark and twisted comedy that explores the fine line between the American dream and the American nightmare.
Dark comedy. 4 W, 1 M. 120 minutes.
MORE about Eat It Too |
PLUNDER
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In Plunder, a hostage, an amnesiac, and a zealous psychologist fight for the right to own the identity they need and the memories they want. Robey has made a discovery: you can rewrite your past. Simply repeat more favorable memories over and over until, in your reprogrammed mind, they become fact. His goal? Marriage fights: eliminated. Brain-damaged patient: reinvented. But the patient has methods of her own and kidnaps Robeys wife so she can steal her memories. In the midst of this captivity, the two women develop an exquisite friendship. Plunder rips into the dirty baggage that follows each of us into relationships, and weighs the pure beauty of a white lie against the stark reality of the truth.
Plunder has been read and workshopped at: Piven Theatre, American Theatre Company, and UC San Diego.
Dark Comedy. 1M, 2W. 90 minutes
MORE about Plunder
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THE
HUMAN
CAPACITY
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Set in East Berlin before and after the fall of the Wall, the play follows the journey of a Stasi officer as he seeks redemption from the woman whose life he shattered. Both torturer and victim find themselves caught in a struggle to reconcile the horrors of their past with their hopes for the future. The Human Capacity is a searing look into a society and a family in turmoil, and an exploration of the human capacity for cruelty, perseverance, and forgiveness.
The Human Capacity has been read and workshopped at: Steppenwolf Theatre Company (First Look Festival of New Works), Stage Left Theatre, Piven Theatre, A Red Orchid, Northlight Theatre, and Breadline Theatre Group.
Drama. 3M, 2W. 90 minutes.
MORE about The Human Capacity
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Jennifer has been awarded playwriting residencies at The Virginia Center for the Creative Arts, the Wurlitzer Foundation of New Mexico, and Hawthornden International Writers Retreat in Scotland.
As a Hawthornden fellow, she spent the summer of '05 living in the castle you see pictured to your right. That is where she met the love of her life Andrew Newsham. |
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CLEARING HEDGES
The award winning one-woman show about
Babe Didrikson Zaharias |
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